EditReady is the epitome of the best color science, the fastest transcoding engine, and the widest codec support.
Transcode and re-wrap footage into high quality editable formats. Get the best results without a complicated setup. Carefully selected defaults mean you're up and running in no time, without needing a heap of know-how.
As well as supporting just about every MOV, MXF, MP4, and Quicktime file, EditReady lets you work with all the popular RAW formats: Sony, RED, BRAW, ProRes RAW, ARRI & CODEX (inc. Super 35!), CineRAW, and Canon RAW.
Built for speed and optimised for the power of both old and new Macs, EditReady makes use of all flavours of Intel and Apple silicon and all the GPU acceleration you can throw at it. From camera to your NLE, in record time.
Obviously late to the game on this one, but absolutely love how fast EditReady is. Going to be my media transcoder of choice from here on out.
EditReady is an editor's perfect companion.
Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes. No unofficial frameworks, and zero hacks. Every codec gets transcoded as its makers intended it to.
EditReady's transcoding engine is optimized to the fullest to make use of all the CPU and GPU power you have available. No need to fiddle with optiziming; EditReady automatically scales up if resources are available.
Each workflow is different, so EditReady has a wide range of mezzanine and proxy formats available to transcode your footage into: ProRes, DNxHD (Op1A and OpAtom), H.264, and H.265 (HVEC) give you all the flexibility you require.
EditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Use metadata to automatically rename files, or burn data into overlays.
With RAW, accuracy is paramount. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries.
When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises.
Read more about Color AwarenessAnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look and check your previewed clip in ScopeBox via our ScopeLink connection.
Use the overlay editor to position graphical elements for compositing on top of your video. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata.
Our beloved push notification service got another big update, and now comes with an online dashboard. Never wait for a transfer to finish, we'll let you know when it's done!
Replicate the directory structure of your source folder with ‘Recreate Source Folders’. No more manual dragging.
Make transcoding with EditReady even more seamless, and create custom presets that match your workflow needs.
Adjust the output framerate of your file during conversion or resize your source media to match a destination size.
Not sure if your clip is supported by EditReady? Just give it a go; while testing, EditReady will convert the first minute of any of your clips. Looking for a trial for EditReady Server? Reach out.
An EditReady license is perpetual, and includes a year of free updates, plus support for the to-be-released macOS 16.
Get started for free with our fully functional 10-day trial.
Select the amount of computers you need to activate EditReady on:
Phantom CineRAW transcoding, priority support, and more to come…
A fully scriptable EditReady, fully integrated with Iconik and Mistika.
Buy now or reach out for a trial.
A super powerful transcoding engine with a user-friendly interface. Ready for about every RAW and non-RAW codec, it uses each manufacturer’s color science for the best and consistent result.